Hindi film
Henna (1991)
3 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- MandChitthiye Ni Dard Firaaq Valiye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “माँड पहाड़ी और पंजाब के महियों की धुन से प्रभावित ये रचना रवीन्द्र जैन द्वारा बनायी गयी प्रसिद्ध और कठिन रचनाओं में से एक है।”.
- PahadiChitthiye Ni Dard Firaaq Valiye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “माँड पहाड़ी और पंजाब के महियों की धुन से प्रभावित ये रचना रवीन्द्र जैन द्वारा बनायी गयी प्रसिद्ध और कठिन रचनाओं में से एक है।”.
- KhamajChitthiye Ni Dard Firaaq Valiye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “चिट्ठिये नी दर्द फिराक वालिये | हिना | 1991 | रविंद्र जैन | खमाज+ माँड+ पहाड़ी”.
- DurgaJanewale O Janewale · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (influence); not a note-by-note check unless reviewed. Label: “खमाज, काफी थाट के स्वरों का मनमोहक देसी प्रयोग राग दुर्गा की छाया वाले आरोह - अवरोह के बीच - बीच में कोमल निषाद तथा कोमल गंधार का सुन्दर प्रयोग रवीन्द्र जैन की रचनाओं पर खूब सजता है”.
- BhairaviMain Hoon Khush Rang Henna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मैं हूँ ख़ुश रंग हिना | हिना | 1991 | रविंद्र जैन | भैरवी+ बसंत मुखारी”.
- Basant MukhariMain Hoon Khush Rang Henna · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “मैं हूँ ख़ुश रंग हिना | हिना | 1991 | रविंद्र जैन | भैरवी+ बसंत मुखारी”.