Henna · 1991
Janewale O Janewale
Hindi-film eligibility matched; song credits may still need checking
Metadata references
Release and credit references do not establish a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary or taalTaalA recurring cycle of counted units that organises rhythm. The cycle gives a framework for compositions and rhythmic elaboration.Source: N3 §§3.1–3.3.1, pp. 21–22.More in the glossary attribution.
Reported raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
Durga
A named writer on music analysed the song in this raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary as an influence rather than a strict identity. This records what the source says; a musician has not checked the recording note by note.
Evidence: Named musician's analysis · Anubhaw Pandey, doctoral thesis on Ravindra Jain (Banaras Hindu University, 2020), ch.5, printed p.152 (PDF p.13), जाने वाले ओ जाने वाले किया तुझे हमने खुदा के हवाले analysis paragraph
Source wording: “खमाज, काफी थाट के स्वरों का मनमोहक देसी प्रयोग राग दुर्गा की छाया वाले आरोह - अवरोह के बीच - बीच में कोमल निषाद तथा कोमल गंधार का सुन्दर प्रयोग रवीन्द्र जैन की रचनाओं पर खूब सजता है” · Applies to: influence
Need the attribution logic? Read how film-song raags are identified.
Recording cues
No phrase-level timestamp has been expert-reviewed for this attribution yet.