Hindi film
Sur Sangam (1985)
7 songs from this film are in Ragapedia's catalogue. Credits come from catalogue metadata; a raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary is shown only where a checked source names it.
Songs
Reported raagsRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary
- MalkaunsAaye Sur Ke Panchhi Aaye · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : ऐ सुर की पंछी आए; गायक कलाकार : पंडित राजन-साजन मिश्र; प्रयुक्त राग एवं ताल : मालकौंस, तीनताल।”.
- BhatiyarAayo Prabhat · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : आयो प्रभात सब मिल गाओ; गायक कलाकार : पंडित 354 राजन-साजन मिश्र एवं जानकी; प्रयुक्त राग एवं ताल : भटियार, अद्धा तीनताल।”.
- BhairaviDhanya Bhag Seva Ka Avsar Paaya · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : धन्य भाग सेवा का अवसर पाया; गायक कलाकार : पंडित राजन-साजन मिश्र एवं कविता कृष्णमूर्ति; प्रयुक्त राग एवं ताल : भैरवी, कहरवा।”.
- BhupaliJaun Tore Charan Kamal Par Vari · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : जाऊँ तोरे चरन कमल पर वारी; गायक कलाकार : पंडित राजन-साजन मिश्र एवं लता मंगेशकर; प्रयुक्त राग एवं ताल : भूपाली+देशकार कहरवा।”.
- DeshkarJaun Tore Charan Kamal Par Vari · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : जाऊँ तोरे चरन कमल पर वारी; गायक कलाकार : पंडित राजन-साजन मिश्र एवं लता मंगेशकर; प्रयुक्त राग एवं ताल : भूपाली+देशकार कहरवा।”.
- KalavatiMaika Piya Bulave · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “8. गीत–मैका पिया बुलावे अपने मन्दिरवा फिल्म–सुर संगम (1985) संगीत निर्देशक–लक्ष्मीकांत–प्यारेलाल”.
- BhairaviPrabhu More Avagun Chit Na Dharo · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (whole song); not a note-by-note check unless reviewed. Label: “गीत के बोल : प्रभु मोरे अवगुण चित ना धरो; गायक कलाकार : एस॰ जानकी; प्रयुक्त राग एवं ताल : भैरवी, कहरवा।”.
- KirwaniSadhare Man Sur Ko Sadh Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : साधरे मन सुर को साध रे; गायक कलाकार : पंडित राजन-साजन मिश्र; प्रयुक्त राग एवं ताल : किरवानी, मियाँ मल्हार, कहरवा।”.
- Mian Ki MalharSadhare Man Sur Ko Sadh Re · not yet reviewed by a musician
Source states the raagRaagA recognisable arrangement of notes and musical behaviour that guides melody. A raag’s identity involves how notes are used, not just a list of pitches.Source: N2 §2.1, pp. 14–15; §2.2.1, p. 15. and 1 moreMore in the glossary (mixed); not a note-by-note check unless reviewed. Label: “गीत के बोल : साधरे मन सुर को साध रे; गायक कलाकार : पंडित राजन-साजन मिश्र; प्रयुक्त राग एवं ताल : किरवानी, मियाँ मल्हार, कहरवा।”.